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#1 Zimbochick

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Posted 07 February 2014 - 11:33 PM

What a gigantic clusterfuck! Is Woody Allen so arrogant or deluded to not realize that all the information from the 1992 inquiries are public information? His New York Times rebuttal to Dylan's accusation are just bold-faced lies.

 

10 Undeniable Facts About the Woody Allen Sexual-Abuse Allegation

 

This week, a number of commentators have published articles containing incorrect and irresponsible claims regarding the allegation of Woody Allen’s having sexually abused his adopted daughter, Dylan Farrow. As the author of two lengthy, heavily researched and thoroughly fact-checked articles that deal with that allegation—the first published in 1992, when Dylan was seven, and the second last fall, when she was 28—I feel obliged to set the record straight. As such, I have compiled the following list of undeniable facts:

 

1.   Mia never went to the police about the allegation of sexual abuse. Her lawyer told her on August 5, 1992, to take the seven-year-old Dylan to a pediatrician, who was bound by law to report Dylan’s story of sexual violation to law enforcement and did so on August 6.

 

2.   Allen had been in therapy for alleged inappropriate behavior toward Dylan with a child psychologist before the abuse allegation was presented to the authorities or made public. Mia Farrow had instructed her babysitters that Allen was never to be left alone with Dylan.

 

3.   Allen refused to take a polygraph administered by the Connecticut state police. Instead, he took one from someone hired by his legal team. The Connecticut state police refused to accept the test as evidence. The state attorney, Frank Maco, says that Mia was never asked to take a lie-detector test during the investigation.

 

4.   Allen subsequently lost four exhaustive court battles—a lawsuit, a disciplinary charge against the prosecutor, and two appeals—and was made to pay more than $1 million in Mia’s legal fees. Judge Elliott Wilk, the presiding judge in Allen’s custody suit against Farrow, concluded that there is “no credible evidence to support Mr. Allen’s contention that Ms. Farrow coached Dylan or that Ms. Farrow acted upon a desire for revenge against him for seducing Soon-Yi.”

 

5.   In his 33-page decision, Judge Wilk found that Mr. Allen’s behavior toward Dylan was “grossly inappropriate and that measures must be taken to protect her.” The judge also recounts Farrow’s misgivings regarding Allen’s behavior toward Dylan from the time she was between two and three years old. According to the judge’s decision, Farrow told Allen, “You look at her [Dylan] in a sexual way. You fondled her . . . You don’t give her any breathing room. You look at her when she’s naked.”

 

6.   Dylan’s claim of abuse was consistent with the testimony of three adults who were present that day. On the day of the alleged assault, a babysitter of a friend told police and gave sworn testimony that Allen and Dylan went missing for 15 or 20 minutes, while she was at the house. Another babysitter told police and also swore in court that on that same day, she saw Allen with his head on Dylan’s lap facing her body, while Dylan sat on a couch “staring vacantly in the direction of a television set.” A French tutor for the family told police and testified that that day she found Dylan was not wearing underpants under her sundress. The first babysitter also testified she did not tell Farrow that Allen and Dylan had gone missing until after Dylan made her statements. These sworn accounts contradict Moses Farrow’s recollection of that day in People magazine.

 

7.   The Yale-New Haven Hospital Child Sex Abuse Clinic’s finding that Dylan had not been sexually molested, cited repeatedly by Allen’s attorneys, was not accepted as reliable by Judge Wilk, or by the Connecticut state prosecutor who originally commissioned them. The state prosecutor, Frank Maco, engaged the Yale-New Haven team to determine whether Dylan would be able to perceive facts correctly and be able to repeat her story on the witness stand. The panel consisted of two social workers and a pediatrician, Dr. John Leventhal, who signed off on the report but who never saw Dylan or Mia Farrow. No psychologists or psychiatrists were on the panel. The social workers never testified; the hospital team only presented a sworn deposition by Dr. Leventhal, who did not examine Dylan.

All the notes from the report were destroyed. Her confidentiality was then violated, and Allen held a news conference on the steps of Yale University to announce the results of the case. The report concluded Dylan had trouble distinguishing fantasy from reality. (For example, she had told them there were “dead heads” in the attic and called sunset “the magic hour.” In fact, Mia kept wigs from her movies on styrofoam blocks in a trunk in the attic.) The doctor subsequently backed down from his contention.

The Connecticut state police, the state attorney, and Judge Wilk all had serious reservations about the report’s reliability.

 

8.   Allen changed his story about the attic where the abuse allegedly took place. First, Allen told investigators he had never been in the attic where the alleged abuse took place. After his hair was found on a painting in the attic, he admitted that he might have stuck his head in once or twice. A top investigator concluded that his account was not credible.

 

9.   The state attorney, Maco, said publicly he did have probable cause to press charges against Allen but declined, due to the fragility of the “child victim.” Maco told me that he refused to put Dylan through an exhausting trial, and without her on the stand, he could not prosecute Allen.

 

10.   I am not a longtime friend of Mia Farrow’s, and I did not make any deal with her. I have been personally accused of helping my “long-time friend” Mia Farrow place the story that ran in Vanity Fair’s November 2013 issue as part of an effort to help launch Ronan Farrow’s media career. I have also been accused of agreeing to some type of deal with Mia Farrow guaranteeing that the sexual-abuse allegation against Woody Allen would be revisited. For the record, I met Mia Farrow for the first time in 2003, more than 10 years after the first piece was published, at a nonfiction play she appeared in for a benefit in Washington, D.C. I saw her and Dylan again the next day. That is the last time I saw her until I approached her in April 2013 to do a story about her family and how they had fared over the years. I talked to eight of her children, including Dylan and a reluctant Ronan. There was no deal of any kind. Moses Farrow declined to be interviewed for the 2013 piece.

 

10 Indisputable Facts

 

The scathing 33-page decision from the presiding judge in Woody Allen’s 1992 custody suit against Mia Farrow.

 

Farrow Allen Custody Battle 1992

 

Open Letter From Dylan Farrow

 

Woody Allen Speaks Out



#2 AxlsMainMan

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Posted 26 February 2014 - 09:06 PM

http://www.theguardi...use-allegations

http://www.theguardi...credible-career

 

And why isn't this a civil suit instead of a public smear campaign? And if Mia found the Globes tribute so distasteful, why did she sign a waiver permitting her image to be included in it? Same with the valentine documentary PBS made about him in 2012? This started as an painfully obvious PR manipulation for Ronan's benefit. IMO, the subsequent articles and op-eds debating the validity of the abuse allegations set Dylan off and she felt compelled to come forward. I understand that, I don't doubt that she believes what she believes, just whether it's based in reality or as the Yale team suspected, not. I err on the not side.

http://www.mygnrforu...estation/page-5


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#3 Zimbochick

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Posted 27 February 2014 - 08:59 AM

This started as an painfully obvious PR manipulation for Ronan's benefit. IMO, the subsequent articles and op-eds debating the validity of the abuse allegations set Dylan off and she felt compelled to come forward. I understand that, I don't doubt that she believes what she believes, just whether it's based in reality or as the Yale team suspected, not. I err on the not side.

I'm not a big fan of determining from the comfort and safety of my own home whether or not someone else was the victim of sexual abuse.

 

Who knows if we'll ever know the truth.



#4 TAP

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Posted 28 February 2014 - 01:29 PM

Wolff is a professional douchebag - rentapolemic


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#5 AxlsMainMan

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Posted 26 January 2015 - 05:03 PM

Woody Allen's critics see his continued achievements as an affront. The chorus calling for his banishment from social influence has grown louder since last year, when Dylan Farrow wrote publicly about her sexual abuse allegations just as Allen received a lifetime achievement award at the Golden Globes. From the right, such criticism is to be expected as he has been mocking their mores and heroes on stage, page and screen for five decades. His well-intentioned critics on the left, however, are ignoring his decades of contributions to progressive thinking in the United States.

 

In these pages, Amanda Marcotte explored the question of why Allen has flourished professionally while Bill Cosby's career has taken a late-in-life shellacking. Jessica Goldstein at ThinkProgress asked the same, linking to a tweet by Jeet Heer that compares Allen to Roman Polanski. If you think Allen is a child molester, either the conversation ends or you invoke the difference between "the artist and the man" (the theme Allen's Bullets Over Broadway). Very few who think he's guilty are willing to do the latter.

 

I'm disinterested in adjudicating the matter. We’ll never know whether or not he did those things. And reducing the question of whether or not Allen deserves his social prominence and accolades to "did he or didn't he?" tosses out decades of artistic accomplishment and service to progressive ideas too rashly. For the left, Woody Allen has long been a force for good. Particularly in the 1960s and 70s, and throughout his body of work, he has advocated for peace and tolerance with singular panache.

 

Allen's work typically is informed by psychology, sociology and philosophy. Broadly speaking, those all are aspects of politics, so while Allen is not an explicitly political filmmaker or writer, his work adds up to a political worldview that should appeal to secular progressives. During the Vietnam era, when he had reached prominence in American culture, he was overtly political, speaking out against the war on The Dick Cavett Show and humorously (but effectively) debating William F. Buckley in multiple forums, including Firing Line.

 

In Woody Allen on Woody Allen, a book of interviews with journalist Stig Björkman, Allen recalls: "I campaigned for Adlai Stevenson and George McGovern and Eugene McCarthy. All those guys who have lost." He later campaigned for Jimmy Carter, Michael Dukakis and Bill Clinton.

During the era of his early, screwball comedies, Allen's political ideas were overt. Bananas is a send-up of the mess that American foreign policy had made in Latin America. Love and Death, a pastiche parody of Russian literature also is a hyperparody of the Vietnam War and of the draft. When Boris (played by Allen) is conscripted to fight Napoleon, he argues that his mother would never allow it. "He'll go and he'll fight," his mother announces. "And I hope that they will send him to the front lines!" A gag, sure, but pointed given how many American parents at the time supported the draft and sent their own children to fight an unnecessary war.

 

In a great visual gag, during a battle Boris finds himself near one of the generals on the hill where he can see the combatants from their perspective. We see two opposing herds of sheep crashing into one another.

 

As an autodidact in film, writing, philosophy and art, Allen is exemplar of the middlebrow intellectual urban liberal—an iconic type in the 70s and 80s. He never finished college. He taught himself by reading. He learned to write by practicing, performing stand-up comedy at The Bitter End and the Duplex in Greenwich Village and going head-to-head with the wits of Sid Caesar's writer's room. He learned to direct by watching movies. Allen's journey from World War II-era working class Brooklyn to Oscar winning movies and essays in The New Yorker is what gives his films their middlebrow voice, giving them the simultaneous qualities of intellectualism and accessibility. Middlebrow isn't as appreciated now as it was back in the "book of the month club" decades. Critics of Allen's prominence now might not realize that his voice was much louder back then, as he lampooned Vietnam against a backdrop of Tolstoy.

 

Around this time, Allen lent his acting talents to a live television production of The Front, a comedy about the McCarthy era blacklist that featured formerly banned talent in numerous capacities. Though the movie received mixed reviews, it was a big deal at the time—Hollywood's decades-late rebuke of the conservative McCarthy era and of contemporary anti-communist paranoia.

 

After Love and Death, we get Annie Hall and the start of the more realistic, more sophisticated relationship movies that have continued to define his style through the present day. Here we enter the world of the hyperintellectual, often neurotic, usually upper middle class or wealthy characters dealing with society and each other. Allen's moral tone, taken in aggregate, is extremely forgiving of the improvisations that people have to make in the search for happiness. This is why Blue Jasmine is such a unique movie. Cate Blanchett plays a formerly wealthy socialite who had been married to a hedge fund Ponzi schemer. In life, Bernie Madoff's wife Ruth was gleefully attacked in the city tabloids for years after Madoff's fund unraveled. In Blue Jasmine, the former wife is presented as a sympathetic fish out of water, trying to rebuild her life.

 

Most Hollywood movies take a morally conservative view of good and evil. Audiences are meant to delight in the punishment of villainy and the standards of morality expressed typically lack nuance. Such black-and-white standards rarely show up in Allen's oeuvre. In Crimes and Misdemeanors (and several other later Allen films)murder goes unpunished. In Manhattan, a 40-something man dates a brilliant 18-year-old high school student and the only punishment he receives is the heartbreak of her leaving for college abroad. In Deconstructing Harry, a troubled writer comes to terms with the people he perceives as his life's antagonists by ultimately forgiving them for everything even as they continue to despise him.

 

The worldview here is deeply progressive. This is art that takes no glee in punishing sin. It recognizes that life is hard and that compassion for others, as well as giving people the benefit of the doubt, are life's paramount virtues, followed closely by pleasure seeking.

 

Yes, this has manifested in the artist's life. He married the adopted daughter of his ex-lover, Mia Farrow. That is not exactly standard operating procedure, to say the least. To some, this is deeply disturbing, though I have a hard time understanding why anybody outside of their orbit should care. Allen and Soon-Yi Previn have been together since 1992 and married since 1997. By most accounts, they seem to be a normal, happy couple. As in one of his movies, what outsiders might consider wicked turns out to be something that works. Life is messy.

 

Allen's collaborations with Diane Keaton, Mia Farrow, Dianne Wiest, Helena Bonham Carter, Mira Sorvino, Scarlett Johansson and Emma Stone (the list is not endless, but it's long) have resulted in major awards for the actors, even in cases where the films were not widely celebrated and Allen has earned a reputation for writing uncommonly well-rounded and interesting female roles. Like anything, these characters are not for everybody, but year after year we have seen important woman actors take lower-than-their-typical pay (Allen's movies are relatively low budget) to work with him. The degree of loyalty perplexes Allen's detractors but it persists. To me, these endorsements speak better of Allen's character than his critics are willing to allow.

 

As a progressive, I'll take my cue from a progressive artist, look at Allen's life and decide to not judge. The country is better off with him as a cultural force and his ideas about politics and how we should treat each other are ones that his critics on the left would do well to embrace and to extend to the auteur.I'm looking forward to a Woody Allen movie a year for as long as he can, and this Amazon series, as well.

 

http://talkingpoints...is-worth-saving


"Whereas scientists, philosophers and political theorists are saddled with these drably discursive pursuits, students of literature occupy the more prized territory of feeling and experience." - Terry Eagleton

#6 Adolf Hitler

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Posted 09 November 2015 - 03:15 AM

I watched Manhattan Murder Mystery earlier tonight. Probably his most underrated film. Pretty sure it was filmed during that Mia and Soon Yi scandal. He wanted Mia Farrow to star in it but once that shit went down he went with Keaton.

 

This film basically recycles all his old jokes but I love how Keaton is the wacky one in this.  

 

Don't believe in all the allegations but hooking up with Soon Yi sure didn't scream innocence. Its well known that Sinatra offered to have the mob do something to him and Farrow flat out refused. If he's molesting all your kids as you claim, why not let the mob turn him into Jimmy Hoffa?

 

Maybe because its all bullshit?


All propaganda has to be popular and has to accommodate itself to the comprehension of the least intelligent of those whom it seeks to reach.

 

 

Demoralize the enemy from within by surprise, terror, sabotage, assassination. This is the war of the future.

 

-Adolf Hitler

 

 

 

 

 


#7 AxlsMainMan

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Posted 10 November 2015 - 10:30 AM

That is a hysterical film and one I that I think truly benefited from Keaton instead of Farrow being cast. Husbands and Wives which preceded this film was actually being made during his split from Farrow and she actually agreed to stay on and finish the project instead of being recast with Keaton. Needless to say, it's a mega-awkward film to watch since it details the implosion of a marriage, and one I seldom watch despite some outstanding acting from Sydney Pollack.

 

Did you get around to checking out Blue Jasmine? Easily his best outing since Manhattan Murder Mystery.


"Whereas scientists, philosophers and political theorists are saddled with these drably discursive pursuits, students of literature occupy the more prized territory of feeling and experience." - Terry Eagleton

#8 Adolf Hitler

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Posted 12 November 2015 - 03:18 AM

I got a ton of his films to catch up on. I have Fading Gigolo on my pc but haven't watched it yet.


All propaganda has to be popular and has to accommodate itself to the comprehension of the least intelligent of those whom it seeks to reach.

 

 

Demoralize the enemy from within by surprise, terror, sabotage, assassination. This is the war of the future.

 

-Adolf Hitler

 

 

 

 

 


#9 AxlsMainMan

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Posted 13 November 2015 - 09:47 AM

Woody Allen's Annie Hall voted funniest screenplay ever written


"Whereas scientists, philosophers and political theorists are saddled with these drably discursive pursuits, students of literature occupy the more prized territory of feeling and experience." - Terry Eagleton

#10 Adolf Hitler

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Posted 13 November 2015 - 06:13 PM

I still want him to release the unedited version of Anne Hall which contains a murder subplot. Pretty sure that wound up inspiring Manhattan Murder Mystery. That was originally supposed to be a Manhattan sequel but went in that direction instead.

I'm sure it would suck but want to see it anyways.

All propaganda has to be popular and has to accommodate itself to the comprehension of the least intelligent of those whom it seeks to reach.

 

 

Demoralize the enemy from within by surprise, terror, sabotage, assassination. This is the war of the future.

 

-Adolf Hitler

 

 

 

 

 


#11 Adolf Hitler

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Posted 13 November 2015 - 06:14 PM

"The food here is terrible."

"Yeah...and such small portions."

All propaganda has to be popular and has to accommodate itself to the comprehension of the least intelligent of those whom it seeks to reach.

 

 

Demoralize the enemy from within by surprise, terror, sabotage, assassination. This is the war of the future.

 

-Adolf Hitler

 

 

 

 

 


#12 AxlsMainMan

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Posted 14 November 2015 - 11:54 AM

I'm guessing you've seen Hannah and Her Sisters and Crimes and Misdemeanors? I honestly think those two films trump Annie Hall and Manhattan, though I don't think I could ever choose between them.


"Whereas scientists, philosophers and political theorists are saddled with these drably discursive pursuits, students of literature occupy the more prized territory of feeling and experience." - Terry Eagleton

#13 Adolf Hitler

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Posted 14 November 2015 - 06:10 PM

Hannah is one of his best. Amazing cast. I hated Crimes and Misdemeanors but its been many years since watching it. Maybe I should give it another try.

 

Broadway Danny Rose is another classic. Sleepers too. I used to really like Bananas years ago but that one doesn't hold up. Just doesn't seem funny anymore for some reason. Take the Money and Run is another one I haven't watched in ages.

 

I never understood his dislike of the Oscars. IMO he would have been nominated a lot more throughout his career had he not had the reputation of not giving a shit or showing up.


All propaganda has to be popular and has to accommodate itself to the comprehension of the least intelligent of those whom it seeks to reach.

 

 

Demoralize the enemy from within by surprise, terror, sabotage, assassination. This is the war of the future.

 

-Adolf Hitler

 

 

 

 

 


#14 AxlsMainMan

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Posted 01 May 2016 - 06:36 AM

Woody Allen's 'Cafe Society' Gets A Fresh Look With 9 New Images


"Whereas scientists, philosophers and political theorists are saddled with these drably discursive pursuits, students of literature occupy the more prized territory of feeling and experience." - Terry Eagleton

#15 VOR

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Posted 01 May 2016 - 03:00 PM

Woody Allen, Roman Polanski, Michael Jackson...

 

We all know deep down that they are scumbags who did disgusting things with children. If they were our next door neighbors, they would be shunned. Funny how we can separate their actions from their work. I know I don't think about their dirty deeds while I'm enjoying their work. Maybe we have become so coarsened by how disgusting a human being can be that we just don't care unless it somehow impacts our lives in a negative way. That reflects poorly on who we are as a society - myself included.






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